beautiful When people listen to UK songstress Ellie Goulding, people are generally divided on what they hear: they either hear her folk and indie influences as her sonic center and others hear her Electronica roots, and push her into the larger category of Pop. With "Delirium," the difference is not apparent at all, Delirium is blatant Electro-Pop.
From the swirling guitars of On My Mind, to the Urban tinged Don't Need Nobody, Delirium delivers mid and up-tempos track after track, never stopping for a ballad like her previous have (the last half of "Halcyon" or The Writer on "Lights"). The result is an album that to its modern audience will scream Taylor Swift's "1989," while to it's broader and older audience, it will sound completely millennial.
The main difference between Delirium and previous pure-pop offerings this past year from Carly Rae Jepsen and Taylor Swift, is that there is there is no breathing room. From the moment Aftertaste hits its stride, the audience is locked in for a roller coaster ride of strict tempos. While most artists would struggle to keep up with this pace, Goulding does so with the expertise of a near-pro, only stumbling on the forgettable and rather lifeless We Can't Move to This and Holding on For Life. Midtempo power ballads like the mega-hit Love Me Like You Do and Army offer some release - and standout amongst an album of bangers - but don't offer enough to quench the hunger for ballads like Halcyon Days' I Know You Care and How Long Will I Love You. This is perhaps Delirium's biggest fault, that it lacks lyrical and sonic beauty that can be found on Goulding's prior works.
0 Komentar untuk "Album Review: Ellie Goulding - Delirium"