Range: C3 - Bb5 - Eb7 (E7)
Longest Note: 16 Seconds
Vocal Type: Lyric Soprano (4 Octaves, 1 note and a semi tone.)
Vocal Rating: A-List
Recommended Listenings: Heart Attack, Skyscraper, Wildfire
Recommended Listenings: Heart Attack, Skyscraper, Wildfire
Positives:
Wide chest register, topping out at Bb5. Strong belts, that have become better mixed over time, and generally sound easy especially in studio. A wide, thick vibrato can be applied in all registers. Her melismatic control has grown stronger through practice, and can now stay in key. Her raspy mid-register and voice in general, accompanied by solid understanding of phrasing, conveys emotions very well.
Demi's voice is able to transcend through genres, including Pop, Rock, Ballads, Jazz and Musical Theatre. Her stamina live is notably strong, keeping up with the demanding nature of her works. Capable of singing arpeggios that travel through different ranges of the voice.
Though her lower register is hit or miss due to placement, it has shown the ability to resonate fairly well down to C#3.
Wide chest register, topping out at Bb5. Strong belts, that have become better mixed over time, and generally sound easy especially in studio. A wide, thick vibrato can be applied in all registers. Her melismatic control has grown stronger through practice, and can now stay in key. Her raspy mid-register and voice in general, accompanied by solid understanding of phrasing, conveys emotions very well.
Demi's voice is able to transcend through genres, including Pop, Rock, Ballads, Jazz and Musical Theatre. Her stamina live is notably strong, keeping up with the demanding nature of her works. Capable of singing arpeggios that travel through different ranges of the voice.
Though her lower register is hit or miss due to placement, it has shown the ability to resonate fairly well down to C#3.
Negatives:
Her cracky rasp is not to everyones taste. Her upper belts can sound shrill at points, sound unstable without mixing, and can be interpreted as shouting. She employs the use of melisma very often in live performances, and often takes deep and heavy breaths, which can become irritating to some.Between 2013-2014, her placement of her belts was wearing her voice down, her voice would crack and fall flat during the later dates of her tours. This was mostly due to a non-neutral larynx and overusing her air support to produce a bigger sound, which caused uneven pressure throughout her throat and voice. However, after receiving a vocal coach in 2015, those issues now are virtually non-existent.
Her cracky rasp is not to everyones taste. Her upper belts can sound shrill at points, sound unstable without mixing, and can be interpreted as shouting. She employs the use of melisma very often in live performances, and often takes deep and heavy breaths, which can become irritating to some.Between 2013-2014, her placement of her belts was wearing her voice down, her voice would crack and fall flat during the later dates of her tours. This was mostly due to a non-neutral larynx and overusing her air support to produce a bigger sound, which caused uneven pressure throughout her throat and voice. However, after receiving a vocal coach in 2015, those issues now are virtually non-existent.
(Bb2)C#3-Bb5-E6
C3-A5
Eb7
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